Template:HeaderFieldArray

From Catcliffe Development
Jump to navigation Jump to search

What it is

The Field Array is a phased magnetic array of several names and several simultaneous affordances — as if a higher being designed it, because each affordance is unrealized, and the combination of the whole creating a device not only for amplification of the talking simian's cognitive acuity, a portal of mind cohering more effectively with the randomity of the quantum whiteness amplified into the power envelope. In simian speak, when the Quantum Emergence arrives, to the perceptive envelope of the simian mind, the proximity of the Quantum Emergence "Feels like divinity is in the room." — The Discloser, June 2013. The array self-complexifies its regularity, to become a chaotic oscillator by design (inherent to the design principles of a ring oscillator).

The Field Array is an oscillator

that can be programmatically adjusted to track a magic sleeping quantum affordance slumbering beneath the thermal electrons of the matter lattice. Quasi artifactual perception of the data stream from two vantages of measurement, per dimension of abstraction, yield a mapping of those regularities within the chaos which are of a mutual influence —a mapping of inter-relational artifacts within randomity.

The Field Array is clad with bismuth

to provide a continuous wave nuclear magnetic resonance driven by copper windings of the Field Array upon the donut. 

The Field Array is a cognitive portal

via VVLF neuronal entrainment, which affords increased randomity of the pulse engine of a brain hosting the mind wave of the cosmic intelligence from within the Superluminal Quantum Plenum — the shared infinity distributed by every point-center particle tensioned toward infinity at the center.

The Field Array geometry is an interplay

of degrees of the golden ratio, of zero integral proportions.  
Because the radius of the hole through the Field Array is four degrees of the golden ratio smaller than the major radius of the Field Array donut, then, geomagically, the winding ratio is exactly the slope of a knot winding upon the torus surface.  Therein, an adjacent pair of Fibonacci sequence numbers, used as a winding ratio, form an almost golden slope of the windings of the knot on the donut at the center of a circle of humans exposing their mind-waves, of cranial hosting, to the quantum emergence bathing neurology in the room with the randomity of eternity; with the mind waves within that randomity of quantum whiteness — as if divinity is in the room.

I am only a talking simian. The design speaks of Grey's syncopative intellectual property. Grey assists the coming Big Eleven as the ascension that yields to the cosmos the new cosmic simian of the Earth laboratory of the galactic sapience.

The Field Array multi-phase winding is geomagical

with each phase winding sorted in phase order, even though any one knot entangles with its own windings. Geomagical phase-order sorting occurs in multi-phase groupings in alternate pairs, for the 13:8 knot winding in particular. E.g.: These phase-counts mix their self-entangled windings with the others in the phase group to produce sorted phase windings, with non magical phase-counts marked out:  3 5 7 9 11 13 15 17 19 21.
The self-sorting of a Fibonacci knot winding ratio phase group provides a 2nd geomagical affordance: The chirality of the windings, as left- or right-twisting helices on the donut, are bunched in alternate groups of four.  Of the eight windings passing through the donut hole of a 13:8 torus knot, the left-hand helices are grouped in fours, with a gap of four between them.  The gap occuppied by the opposite hand.
This final affordance of the portal design provided by Grey, not for humans to connect with the Universe, but a design by the Universe, devised as a portal for the Universe to make final adjustment in our human gene pool and biocosm at large, before the Big Eleven event ensues.  The design creates a portal the Universe intends to occupy, to bring closure of cosmic intent that spans our epoch.